6

May

Surviving Sunday: Packers News, Notes and Links for the Football Deprived

Junior Seau

Junior Seau's suicide shocked everyone who pays attention to the NFL.

If the NFL wants a case study on how not to handle tragic situations involving past and current players, it should look no further than professional wrestling.

Here’s a small sample of well-known professional wrestlers who have died before the age of 50 since 1997: Bam Bam Biggelow, Eddie Guerrero, The Big Bossman, Hercules, Crash Holly, Road Warrior Hawk, Ms. Elizabeth, Mr. Perfect, Davey Boy Smith, Chris Benoit, Yokozuna, Chris Kanyon, Ravashing Rick Rude, Louie Spicolli and Brian Pillman.

All of those wrestlers died from suicide, drug overdoses, or health complications that many speculate were caused by years of abusing drugs, painkillers, steroids and/or alcohol.

If you used to watch wrestling, or just tolerated it while your kids or spouse watched it, chances are you recognize many of those names.

Now think back to your favorite Packers players from the 80s and 90s. What if 15 of them were dead, all before the age of 50, many from suicide, drug overdoses or health complications (likely) caused by abusing drugs and alcohol?

We’d be shocked, right? We’d probably ask questions about the Packers’ culture. We’d want to know if there were warning signs, or if management could have done something to help these guys before they went over the edge. The media would do all sorts of exposes and law enforcement might event get involved. We would demand answers. Then we’d demand changes.

19

June

The Complete History of Green Bay Packers in Professional Wrestling: Chapter 1 — The Football and Wrestling Connection

That's Packers great Reggie White wrestling Steve McMichael in WCW.

This is chapter 1 in a series examining the history of the NFL, the Green Bay Packers and professional wrestling. The introduction to the series can be read here.

In 1986, Vince McMahon, Jr. was in the middle of transforming the World Wrestling Federation (WWF) from a regional promotion in the northeast to a national powerhouse that would eventually wipe out every other wrestling territory in the United States. McMahon used his deep pockets to lure away top wrestlers like Hulk Hogan and Roddy Piper from rival promotions. He also used his marketing and promotional skills to develop many of his wrestlers into larger than life characters with mainstream appeal.

But McMahon was not satisfied with running a successful wrestling promotion. He wanted to create an entertainment empire that happened to involve wrestling. He wanted the WWF to be viewed on the same level as a major movie studio that produced blockbuster films, or a record label with bands that released No. 1 hits.

To achieve this, McMahon knew he needed more than top-level wrestling talent. He needed something that could make wrestling “cool,” something that would appeal to a younger generation and people who normally did not pay attention to wrestling.

The Rock ‘n Wrestling connection was born.

Wrestling Becomes Cool
McMahon partnered with MTV in the mid-80s to reach the younger and hipper audience he was targeting. He also brought in rock singers and celebrities like Cyndi Lauper to broaden the WWF’s brand beyond the scope of traditional professional wrestling.